BAASnotes.com – Bay Area Audiophile Society

On Lyle Lovett and Matt Rollings…

I didn’t even imagine I’m a Lyle Lovett fan until I visited another audiophile friend and he played a few tracks from “Joshua Judges Ruth”. The one track that stood out was “North Dakota”. I was so much taken by it that Curt insisted I have the CD. I thank him for that ever since…

What grabs your attention in this track is the superb orchestration, which creates a somewhat “misty” atmosphere, in a striking contrast to the pristine clarity of this exemplary  track. I loved the vocal harmony of the male-female duet and the melancholic mood throughout the piece. I never really paid much attention to the piano, but now that I think of it… I should have…

When I heard that Matt Rollings played with Lyle Lovett, I had to go back and check. After all, I was about to attend a live session featuring Matt!

Sure enough, he’s the guy on “the track.” I knew the piano plays a big role in setting the overall tempo and pace. The piano probably contributes more to the overall lasting impression of the song than any other instrument, including the fabulous vocals, yet after many years I play this song I clearly focus on the vocals and less on the piano. Which brings me to the moral of this prologue/story…

Some things are great not because they stand out in the front row and declare themselves “I’m here!!!” Some things are great because they hold back and just play the team role by letting the other instruments or vocalist do their share in complete harmony. For a musician, that’s the greatest sign of maturity as an artist.

by Ori

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